Photobucket Photobucket

26 May 2014

Ella Henderson - Ghost

If you catapulted Adele and Florence Welch into each other you'd be left with Ella Henderson, Xfactor alumni and all round good singer. Comparisons are unavoidable in a market saturated in female artists and in this case it's a huge compliment to the young chanteuse. 

Her debut single Ghost is very overdue, but it was worth the wait and it's definitely better than anything James Dickwad Arthur has released. It's pop alright, but it's coated in soul, funk and echoes of deep south gospel. Ella's voice soars over a thumping drum beat as she belts 'I keep going to the river to pray/ Cos I need something that can wash out the pain...' on the Ryan Tedder penned chorus. It's a solid introduction to her first album, which should be out sometime, so you'd think. 



4.5/5

10 May 2014

Kylie Minogue - I Was Gonna Cancel

Kylie doesn't set the charts ablaze the way she used to. It's not because the quality of her music is dire or that she packed away her butt flaunting hotpants, it's probably just because the pop landscape has changed so much. It's a shame, because All The Lovers and Into The Blue had number one written all over them but neither soared to the top spot. So, with her newest album Kiss Me Once we are presented with another string of singles. Unfortunately it's not the wonder of the album's title track we're getting because that is a fucking great song (credit to Sia - god like songwriter & musical marvel). On this occasion we have I Was Gonna Cancel, another Pharrell Williams production for 2014.

It's 80s disco mania from start to finish, with Pharrell's funky electro synths & Daft Punk esque robotic mutters layered beneath Kylie chanting "just hop out of the bed / go ahead face the day". It's infectious pop fun, but it feels flat at times and just doesn't have the same sass that made the big Kylie hits so bloody brilliant. 

3/5

7 May 2014

Iggy Azalea - The New Classic Review

Iggy Azalea wanted to be recognised by her label as a serious rap artist, not for her commercial viability. A high school dropout, Iggy worked with her mother cleaning hotel bedrooms to save money to make her dream of moving to America and pursuing a music career come true. In the end it did and it's clear from her debut album The New Classic that she takes her craft seriously and that her work ethic deserves nothing but admiration. This is a debut packed with sass, bite and odes to her journey to the top. 

Opener Walk The Line is a divine track, slipping from thumping rap production to haunting 'oohs' on the chorus, that showcases Iggy's fierceness and has her singing about the sacrifice of 'home' she made to get where she is. The New Classic is intended to reflect Iggy's personality, her belief and her attitudes to her life and the people around her. Don't Need Y'all is about the fake people who want to know her now that she's 'somebody'. The guy who used to flush your head down the toilet in school is suddenly your best friend sort of situation (not a personal experience).

6 May 2014

Avril Lavigne - Hello Kitty

I won't lie, I'm not a massive Avril Lavigne fan. Yes, I owned her debut and sophomore albums (Let Go & Under My Skin) and both of those were pretty good. Since those album's though, Avril has gone from teen queen to 29 year old try hard and this is startlingly apparent with latest single Hello Kitty. The single echoes Gwen Stefani, but the comparisons end at echoes. The song is silly, has a shocking dubstep breakdown and showcases all of her vocal limitations (there are plenty). At this stage in her career, it's about time Avril Lavigne defined her sound and direction rather than releasing half finished, desperate nonsense.

0/5

Anastacia - Resurrection Review

It was a bit of a shock when Anastacia announced in 2013 that she had been diagnosed with breast cancer for the second time. The first time it happened she recovered and released her very good self titled album Anastacia. It was an album brimming with emotion, incredibly emotive vocals and a new found 'sprock' sound (soul/pop/rock) apparent on singles Left Outside Alone and Sick & Tired. Her 6th studio album follows on from 2 not so great collections; one of pop-disco and another of needless covers of artists like the Foo Fighters and Kings of Leon. The aptly named Resurrection is a vast improvement on those 2 predecessors and a fine return to form.

Resurrection's tone is dark, darker than that of Anastacia. There's plenty passion fueling the vocals throughout and there are moments where she is expressing her passion to survive cancer, most notably on the ballads. Lifeline is an album highlight, backed by a beautiful string arrangement that explodes in the middle 8, and emotional lyrics that have Anastacia pleading, "Somebody tell me have I just wasted a lifetime/Show me some hope/God it's so cold/Throw me a lifeline". This fear of mortality is also apparent on the beautiful Stay where she sings, "I'm not ready to go just yet". The ballads continue with I Don't Want To Be The One Pendulum. The former is a paint by numbers heartbreak song, with soaring vocals and a memorable chorus - although it disappointingly doesn't 'take off' in the final chorus. The latter starts with great promise of being a beautiful gospel inspired ballad, but unfortunately becomes an unfulfilling and repetitive pop track. This disappointment is continued with Evolution, where the intention is good but the implementation falls short with an uninspiring and repetitive chorus. Thankfully, Apology and Broken Wings pick up the quality of the down tempo tracks, closing the album in emotional fashion. 

Emotion is clear throughout Resurrection. Opener Staring At The Sun is a piano led power ballad with a brilliant hook and epic chorus and could be one of her best songs to date. It showcases her immense vocals and how well they gel with sprock production. Anastacia take note, this is what you're good at darling. Stupid Little Things serves as the lead single, opening with thumping drums and a meandering verse. It's infectious from start to finish and the chorus is, to put it simply, fantastic. Dark White Girl's production is great and her vocals are on point as she sings about going to places she never thought possible in her lowest emotional moments. 

It's nice to have Anastacia back. Whether you like her or not, her talent is apparent both as a singer and a songwriter. Resurrection is a mature, emotional album with a focus on her battle with cancer and the emotional burden that comes with it. I imagine it will serve as an inspiration to her fans that can directly relate to her experiences and songs like Lifeline and Stay sensitively deal with her own fear of losing her life before her time. It's not perfect and there are some weaker moments, but there are enough great songs here to make a listen worthwhile. Resurrection is the album Anastacia needed to remind us of who she is and what she's good at. It's great to have a mainstream pop artist releasing material that actually means something and isn't all about aggressive sexuality.

4/5