Rated Unapologetic: Apology somewhat needed

'I do my own thang, phresh of the runway' bites Riri on the opener to her seventh studio album Unapologetic. It's fierce, a bit indecipherable but full of the bad girl attitude she's developed rapidly over the past two years/albums. Many think she's in overkill at the moment and needs to take a serious hiatus to give everyone else a break. Others are delighted that she keeps popping out albums like a toaster hooked on pop tarts. I fall in with the latter category, or so I thought I did until I heard Unapologetic.

For a major Rihanna fan such as moi, one who has been hard for her music ever since the wonderful Rated R graced airwaves, Unapologetic is a disappointing, somewhat annoying collection of songs. The opener is quite cool, but when the haunting dark beats of 'Numb' (feat Eminem) kick in the album is thrown off track. Repeatedly stating 'I'm going numb' for what seems like an eternity I just pray for the song to come to a swift end. Then we're presented with the duff 'Pour It Up', a song that irritates with its horrendous lyrics and arrangement. The negatives keep coming with 'Get It Over With' and the poppy snorefest duet with ex/not ex lover Chris Brown 'Nobody's Business'. You're right it is nobody's business and also, no one fucking cares.

The album avoids a 1/5 rating because of some moments of brilliance. Lead single 'Diamonds' is a triumph of a song, perhaps a career best. Rihanna's vocals are on point, the production is gorgeous and the lyrics are strong. Chase & Status number 'Jump' is another top track, with its electronic dub step onslaught an absolute joy to absorb. 

The poor songs noted earlier don't showcase any vocal talent. Songs like 'What Now', 'Stay' and 'Love Without Tragedy/Mother Mary' show off the vocals that have grown over the past 3 albums. The first track is an infectious, mid tempo anthem that would fit perfectly onto Loud. The third is an interesting track and is perhaps one of the album's most powerful performances. 'No Love Allowed' sees Rihanna embrace her Bajan accent just like she did on the brilliant 'Man Down' a couple of year ago and is just as loveable. Album closer 'Lost in Paradise' is average dub step pop, but certainly maintains the relief the latter part of the album injects into the sore spot left by the jagged/unpleasant earlier segment.

Unapologetic is not an improvement on Talk That Talk, which albeit wasn't a perfect album, and it certainly doesn't serve as a worthy successor to Loud or Rated R. It does show that Rihanna, even now in a state of over exposure, still holds the iron fist as the most powerful pop singer in the world. Her last three albums have given fans different music, new experimentations and in some cases a new Rihanna to play with. However, Unapologetic doesn't manage to remain cohesive and has too many mishaps littered throughout its track list to hit the top end of the review scale. There are, as previously said, moments of brilliance here. Songs that remind you of why you fell in love with dirty Ri in the first place. Right, now it's time for your holiday love!

Download: Diamonds/Jump/No Love Allowed/What Now

2.5/5

Rated Rihanna: Unapologetic incoming!

Ri - y'big dirty!

It was easily predicted that I'd be stratospherically high on the news of Rihanna's upcoming 7th album Unapologetic. With the first single being so bloody perfect and a refreshing step away from the dancey Calvin Harris days, how could I not be?

 

Anyway, I thought I'd just highlight that there are only 16 days until the album drops.

Yes, 16! 

Rated Talk That Talk!

Rihanna closes her 6th studio album with the pounding beat of epic ballad 'Farewell'. If this is a literal, but temporary, goodbye from the Bajan sex nuke then it can only be labeled "well earned". Reaching album number 6 in as many years is an impressive feat, yet it's one which concerned many as the world seemed to go under a Rihanna tidal wave. Thankfully, Talk That Talk doesn't disappoint after its predecessor Loud racked up 7million+ sales world wide, stole heaps of critical acclaim and produced a sold out world tour. This is a feisty r'n'b romp, with lots of cheek and charm and some really satisfying cuts.

Opener 'You Da One' is a West Indian flavoured, mid-tempo number in a similar vein to 'What's My Name?'. It's not quite as brilliant and hypnotic, but it leaves a warm sensation that is certain to prove vital this winter. Teaming up with Calvin Harris on epic floor filler 'We Found Love' proved to be a damn good decision as both are bound to see their bank balances notch up a few more zeros in the coming months. Lending a hand to Cirkuit and Dr. Luke, the Scottish DJ helps birth the wonderful, exhilarating 'Where Have You Been?'. One of the strongest songs on the album, this is more or less the 'Only Girl (In the World)' of Talk That Talk. Not quite as enormous, but packed with a grimey edge that we've not really heard on a Rihanna song before. "Where have you been?/All my life/Where have you been all my L-i-i-i-fe?", belts Ri over dirty electronic synths and a pulsating beat, with top form vocals on show. 

Notorious B.I.G sampler, 'Talk That Talk' is a brilliant song, with Jay Z opening up the classic sounding r'n'b track and Rihanna kicking into a catchy as hell chorus, "One and two and a three and four/Come on let me know if you want some more/You know what I like/Now get right/Boy talk that talk to me all night/...love it when you talk that talk to me yeah". This is the first instance of where the rasp of Rated R shows its welcome face. 

Rated Loud Tour 2011

BABE

It's been just over a year since Rihanna toured her 4th studio album Rated R . We've been in the midst of a Rihanna tornado since then with a constant stream of singles, a new album and yet another tour. It leaves one wondering, how does she do it? Where does she get the energy from? Where do all these tremendous songs come from? Apparently some ether of pop brilliance.

The Last Girl On Earth tour of 2010/2011 was a great showcase of the darker material from the Rated R era. It featured songs like 'Russian Roulette', 'Rude Boy' and 'Te Amo', performed against a robo-apocalyptic backdrop. There was latex, lots of war imagery and a huge amount of rockstar charm. Now, on the Loud Tour, supporting an album that has now sold in excess of 8 million copies worldwide, Rihanna is cranking the pace up a notch.

Things kick off with a 3/4 minute film, which has the Bajan babe in a bobbed red wig and black outfits, screaming as loud as possible. It crescendos, the screen splits in the two, and out she pops in a neon lit, transparent orb. Belting out the tremendous 'Only Girl (In the World)' , she makes the crowd insane, all the while strutting up and down the stage in a tiny blue glossy coat, leaving very little to the imagination; that's why we love her! Her vocals are on top form, better than they have ever been in fact. She engages with the crowd, bellowing 'Glasgoooow', more frequently than she did on her last tour, making the whole affair that little bit more exciting. De-robing to reveal a rainbow coloured, beaded bra and pant combo, she slips into 'Disturbia' and 'Shut Up and Drive', before sitting non-chalantly against a wrecked car to show off her West Indian tones on the Bob Marley inspired 'Man Down'.

The tempo at this tour is much higher with less balladry and more big beats. There is the essential ballad segment, but it takes up very little time for the pace to quicken again. A revved up rock cover of Prince's 'Darling Nikki' slips into a raunchy performance of 'S&M', identical to that she performed with Britney Spears at the VMAs. 

The pink tank of the previous tour returns, but it's smaller and fires projectiles into the audience. Getting G with 'Raining Men' and 'Hard', Rihanna rides her ad-hoc army vehicle to the front of the stage, surrounded by gun-toting topless dancers.

Rated RiRi - FAIL.

Due to painfully unfortunate financial failings on my part, I can no longer afford to go down to London to suck up the immense aura of my favourite bitch, Rihanna. I am now left, cold and lonely on October 5th...completely Rihanna-less. In her place I will blast her back catalogue and down a bottle of Cava, maybe two? 


Should anyone be interested in two standing tickets for the O2 Arena on the 5th October 2011, please let me know via twitter and I will sort something out for you. We can discuss price at the time, I don't like quoting figures online, it's so messy.

Just a picture to rub salt into my Rihanna shaped wound.

I love you, woman.

Rated California King Bed

Loud has, so far, provided us with uptempo, feisty, booty shaking beauties. 'Only Girl' is, perhaps, Rihanna's most anthemic song to date and 'What's My Name?' and 'S&M' are sexy, sassy songs about the kinky stuff and a little bit of love, obviously. The big debate amongst her burgeoning fan base was "what will she release next?". Apparently the US is getting the epic reggae inspired 'Man Down'. Not us though, we're getting a ballad, a country ballad. It's not all as bad as you think. In fact, 'California King Bed' contains Rihanna's strongest vocals so far and the most authentically emotional performance she's given since 'Russian Roulette'. "In this California King Bed, we're ten thousand miles apart", sings Ri on this song about the crumbling foundations of a failing, yet intense romance. It's a bloody brilliant song and is one of the main reasons why Loud is a must have album.

Check out the lovely video too. Just lovely.