Madonna - Living For Love

Madonna always gets a tough time on this blog. It's not because I dislike her, rather it's because I expect a lot from her. Love her or hate her, she's the most influential female pop icon the world has ever known and it likely to remain that very figure for a long time to come. Beyoncé might have stolen the limelight in recent years but as far as an innovative, boundary pushing artist goes, she can't touch Madonna. Her new album Rebel Heart has potential to outshine her last effort, MDNA which bar a few great dance tracks, failed to find its place in the greatest Madonna moments.

New single 'Living For Love' isn't an instant classic, but after a few listens its charm starts to shine through. It echoes 90s dance with heavy sonic booms and shudders and Madonna's vocal performance is confident and, at times, powerful. It's a better slice of contemporary Madonna and is certainly destined to flood the floors of gay clubs with dancing feet the world over. 

4 / 5

Nicki Minaj - Anaconda

"I like big butts and I cannot lie..." is one of the most well known lyrics on earth. That's quite a sad thing really, but I digress. The idea that rap maniac Nicki Minaj would sample this line in a single at some stage in her career isn't surprising, what is surprising is that I didn't predict it right away. Its obviousness is startling and new single Anaconda is as unrevolutionary, unsatisfying and ridiculously shit as music can be. 

A step down from better quality Pills N Potions which harked back to the more promising moments on her debut album Pink Friday, this song is novelty rap-pop at its worst. The video might be captivating and enjoyable for all the wrong reasons, but the song is as pleasant as eating rotten fruit. In the chorus Sir Mix A Lot drops "My anaconda don't want none unless you got buns hun..." followed by the lady herself chatting in an airhead vocal "Oh my gosh - look at her butt" repeatedly with added hamster vocoder sounds. There's writing music to empower females and celebrate the female form, then there's believing your own hype and writing a song about your most famed asset, which in this case comes across as obnoxious drivel. 

1 / 5

Katy B - Little Red Review

Wonder if she got hold of that Valium?

Katy B's debut album On a Mission was Mercury nominated, reached #2 on the UK album charts, and was bloody brilliant. Layers of dubstep, dance, funky soul and electronic synths merged with her emotive, smooth vocals to create an album with gorgeous flow and immense quality. It's been 3 years since she launched herself onto the commercial music scene and now she's back with sophomore album Little Red. 

This moment in an artist's career is often cited as the 'difficult' second album. 'Second album syndrome' has poisoned the endeavors of so many in the past, but thankfully in Katy B's case she's managed to retain immunity. Little Red is packed with joyous moments of dance production perfection, along with the dub step elements that made her debut so successful. 

Lead single 5AM is one of the year's slickest, most exciting dance tunes, with an exhilarating chorus, gorgeous production from On a Mission's producer Geeneus and stunning vocals. In a musical battlefield where artists are sharpening and reloading their dance song armory, trying to maintain their foothold in the charts and keep their bank balances topped up, Little Red is a veritable rocket launcher and Katy is wiping out her competition. Opening track Next Thing and cuts I Like You, Emotions & Aaliyah (feat Jessie Ware) are all heady dance floor fillers. Jessie Ware collaboration Aaliyah is a wonderful foray into easy-going, hip-swaying dance music brimming with sumptuous vocals from both B & Ware, layered over syncopated synths; a song where both ladies plead with Aaliyah not to try and take their men. Emotions reaches its crescendo in its final moments, going from mid tempo pleasantry to exhilarating dance number. It's not all 'newish' territory though, Little Red doesn't shy from the sound of On a Mission. All My Lovin' is bursting with thick beats, dub step electro quivers and echoes.

Balladry isn't something expected from an artist like Katy B, but on Little Red she's certainly surprised everyone with Crying For No Reason. It's a gorgeous vocal led number with a minimalist synth and key arrangement that ups tempo after the first chorus. The hooks continue with Still, another down tempo love song showcasing how affecting her voice actually is.

Overall Little Red is a fantastic second album. If it's not quite 'your thing' it could prove difficult to get into on first listen but give it a second go and you'll change your mind. With songs like CFNR, 5AM & Aaliyah there's no denying the immense quality available here. It's a step forward from her dub step beginnings and yes it's more commercially friendly, but it has to be respected that she hasn't let go of her On a Mission days quite yet. It's all about awesome dance production, great song writing and lovely vocals here.

4.5/5

Rated: Avicii - Wake Me Up!

It would have been impossible for Swedish DJ Avicii to pull out an even bigger cat than his massive dance anthem 'Levels'. The curse that afflicts so many dance acts is hard to be evaded, that is until they take a back route and squeeze out something so unexpected and different to their regular sound you can't help but stop and listen.

Avicii has done this with new track 'Wake Me Up!'. It's one of those "who the hell is this?!" tracks, backed by a folksy guitar, intertwined with the DJ's trademark dance production. This dance sound is intermittent and non invasive, allowing the catchy verses and chorus to ride high. It's the track's surprising sound that makes it so good, setting it apart from the barrage of summer 'dance anthems' we always get hammered by. 

4/5

Rated: Katy B - What Love Is Made Of

It's been a while since I posted... apologies if you thought I was dead or something. Hi - I'm back! So what better way to celebrate than with an amazing new track from funky dub step princess Katy B. Her new single is long overdue, following on from her incredible debut album On a Mission which included some bloody brilliant tracks (Title track, Broken Record, Lights On - to name a few). Hoping to bag herself her first number 1, she's releasing 'What Love is Made of'.

This is a smooth house track, with a gorgeously constructed chorus and soft beat production. Compared to some of the harder tracks from her debut, this is pretty tame. She gets lyrical about a man with her soulful, gentle vocals, whilst maintaining perfect control throughout. There are no gimmicks here, just great music from a great contemporary female British artiste. 

5/5

Rated Judas and Born This Way.

There's a lot of discontent with the new GaGa material circulating amongst her fans at the moment. It's amazing how much her sound has evolved since her mega-commercial 'Just Dance' days. This evolution is entirely positive. Lady GaGa has become Lady Euro-Pop, belting out self empowering gay anthems about love, life and gender alteration. What needs to be kept in mind is that the most successful female artist of all time changed her sound (pretty much) with every album. This development kept listeners enticed and kept pop music interesting. Lady GaGa is the Madonna of our generation (I'm 24 - ONLY JUST).

'Born This Way' was an epic slice of pop knobbery and has, since release, notched up well over 100 plays on my ipod. Second single 'Judas' from the upcoming album Born This Way is yet another euro-pop inspired floor filler with one of the gayest sounding choruses in history (but I love it). With 'Bad Romance' style thumping synths this is guaranteed to become top of the list on party playlists the world over. The lyrics are smart and the bravery of using a biblical metaphor is typically GaGa, who is already causing unrest within Christian groups. When this reaches number one she can stick her two, well manicured, fingers up to the fussers and bathe in her ever growing fountain of cash. Jealous.